Punch and Clutch feat. Fedor, Ernesto Hoost, Mayweather [Technical Article]
http://fightsgoneby.blogspot.com/2012/01/cross-counter.html
Punch and Clutch' is a term you hear from veteran commentators and coaches from time to time and is a rather old school strategy of punishing an opponent without giving him the chance to counter with combinations or outpoint you. While many times you will hear the term used in a derogatory way; criticizing a fighter who is clearly trying to stall, properly executed punch and clutch makes for exciting, brutal fights. Punch and Clutch is a method wherein a power punch can be thrown without fear of retaliation. Normally a looping right lead or a powerful left hook is thrown and the clinch is established immediately after. Floyd Mayweather is not a big puncher, but can cause damage by jumping into his shots and clinching. Take a look at this short highlight of his right hand leads against the southpaw Sharmba Mitchell. At 0:09 he lands a huge right hand and immediately moves to clinch, smothering Mitchell's counter. At 0:15 he does the same again, this time dropping Mitchell, but he is clearly already moving in for the clinch, watching the slow motion replay one can clearly see him react and change stances to punch again.
This is not something he does only against southpaws either (he's fought so few of them). Watch his performance against Hatton, a much harder puncher and an expert infighter, whom he managed to land power shots on and tie up with ease in the middle and later rounds of their contest. Watch at 1:29 where he throws the right hand, leaping in to clinch with Hatton, then when Hatton attempts to hold him, Floyd cross faces him and lands some free shots on the way out.
The first time I recall hearing the term was in reference to Roberto Duran's strategy. During Duran's lightweight career he was known as a ferocious power puncher (hence his nickname Manos de Piedra or 'Hands of Stone') and he managed to carry this punching power up in weight to extent. While an extremely able boxer with world class defense, Duran's management decided while he was young to sell his punching power above all else and asked him to assure his popularity by scoring knockouts rather than clinical decision victories. To achieve this without sacrificing his facial features or mental faculties Duran made sure that when he threw his enormous right hand he clinched up immediately after. Should his opponent cover up he began berating them with hooks and uppercuts, if they clinched back he freed one hand and began uppercutting them anyway. Two more spectacular Punch and Clutchers are Naseem Hamed and Roy Jones - both of whom got remarkable power on their shots even in the lower weightclasses, primarily by commiting their whole body weight to them and either ducking or clinching immediately after.
Punch and Clutch is especially useful in Muay Thai, kickboxing and MMA due to the fact that a fighter needs neither hand free to strike and in the latter can throw his opponent to the floor. Here is a clip of Ernesto Hoost, pushing 40 years old, beating his third world class opponent in one night at the K-1 Grand Prix. In the first minute and a half it becomes obvious to Hoost his opponent is much stronger than him and is constantly applying pressure - Hoost attempts one of his trade mark low kicks and is pushed off balance into the ropes at 0:40. At 1:17 he attempts to punch and clutch but Le Banner muscles him off. The same happens at 2:22 and at 2:28. But on both of those occasions Le Banner is so concerned about keeping Hoost from clinching him so that he can get a punch off, that Hoost actually lands all his attempted right hand leads. He does again at 2:55 and 2:57 and each time Le Banner is caught because he is attempting to keep Hoost from clinching him. By the second round Hoost is tying him up more often - even landing knees as at 4:48. From the 6:00 mark Hoost is landing his right hand and clinching up immediately after at will, and Le Banner is clearly tiring from being hit and attempting to muscle the older man off of him. Le Banner's slowing movement allows Hoost the space to move back and use his kicks, such as at 6:42. Hoost is eventually given a yellow card for clinching - but his gameplan has already succeeded in exhausting the enormous Frenchman. Le Banner cannot pressure his opponent in the third for lack of energy and fear of Hoost's Punch and Clutch - at which point Hoost backs him onto the ropes for the first time with a salvo of punches. Hoost's right kick breaks Le Banner's arm and the fight is stopped - making Ernesto Hoost the oldest man to ever win the K-1 Grand Prix by tiring out a younger, stronger opponent. All through use of Punch and Clutch.
Finally an example from the world of Mixed Martial Arts. There are few who combine clinchwork and boxing so well as Fedor Emelianenko did in his prime and so I will illustrate using him. Fedor's third meeting with Antonio Rodrigo Nogueira is a clinic in Punch and Clutch. Using his fearsome right hand lead the Russian repeatedly forces Nogueira to 1) raise his hands and expose his waste or 2) take a huge punch and not be aware of Fedor taking him down. Take a look at this handy highlight Cyrax1984 has put together.
At 0:05 and 0:12 Emelianenko uses his right hand lead to upper body clinch to throw combination. And again at 0:27, and with a different throw at 0:31. At 0:20 he instead uses a strong jab but immediately steps in and puts his head on Nogueira's chest. It makes a great difference from the jab to double leg shot that seems to still be the only set up used by anyone outside of Georges St. Pierre today.
Fedor Emelianenko vs. Gary Goodridge (via nrse3567)
A final brilliant example is from Fedor's fight with Gary Goodridge. I advise anyone who hasn't seen this to watch the fight first in fast motion, be amazed, then watch the slow motion and see what Fedor does. Goodridge is well prepared for Fedor to take him down as he has done to Semmy Schilt, Heath Herring and Nogueira. At 3:50 the slow motion picks up with Fedor landing his left hook, but having jumped in far enough to be able to clinch - as Goodridges arms extend to initiate the clinch Fedor pushes Goodridge off of him, offbalancing Goodridge, causing his hands to drop and allowing Fedor to land a second, harder hook at 3:52. In using Punch and Clutch it is up to the fighter to use his judgement just as Mayweather did when he realised Mitchell was hurt or that Hatton wanted to hold him. If Emelianenko hadn't felt the first hook land cleanly, I suspect in all likelihood that he would have continued into a full clinch and secured a takedown, but instead he chose to land more blows upon realizing he had struck Goodridge cleanly.
This article is from The Historian's blog, if you liked this article and want to read more like it, head over to http://fightsgoneby.blogspot.com/2012/01/cross-counter.html and give it some love!
The FanPosts are solely the subjective opinions of Bloody Elbow readers and do not necessarily reflect the views of Bloody Elbow editors or staff.
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Very nice! Looking forward to your next piece. You have really good grasp on technique. Have you trained in any martial art?
We are Ruining Your Special Night, motherfuckers!
Cheers! =)
Cheers man! I trained Karate since childhood and always loved boxing. I went to Japan to train for half a year a couple of years back. Ended up going to Krazy Bee, Kid Yamamotos gym and that’s when I started MMA and BJJ.
Good read, and nice work finding relevant examples.
Another good one is Machida, who uses a variation of this technique often. Most of his trips and clinch work are set up with that sort of dash or “lunge” offense of his.
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Another great fanpost.
You guys are on fire today!
This NEEDS MOAR RECS!
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Great read…..Every time i see that Fedor Goodridge fight my jaw just drops……one of the fastest combinations of utter dominance i have ever seen to start an MMA fight….Anyone think there is really any other heavyweight in the world that could come out with that?
by bigsmoke on Jan 3, 2012 3:43 PM EST reply actions 1 recs
Not today, nope.
Fedor was fucking nuts back in the day, and could string those things together b/c he had a) the speed and reflexes of a young man, b) the sheer Russian-bear strength to actually do the damage, and c) The chin to make up for the deficiencies of getting hit.
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by Unabomberman on Jan 3, 2012 4:49 PM EST up reply actions 1 recs
Not to mention
Every time he missed, he was already on top of you Judo-ing your arse.
Thats the thing I noticed from the Sylvia fight onward – no punching into throws – just punching. He used to punch > throw > ground and pound > stand up. Now he just punches.
And it’s not like his judo skill has just disappeared, he was an olympic alternate. He just chooses to swing =/
Yeah...
But it also has a lot to do with his reflexes having taken a bit of a hit as he has aged, what with the loss of fast-twitch muscle mass on top of it.
He does not swing the Randy-Hendo-Sonnen way, that we know of, where they make up for their bodies age deficiencies’ by using modern science to compensate for what they don’t have any longer, which is not illegal if done within certain specific parameters.
For all that goes around calling Randy the natural, it might actually have been Fedor all along that sort of fulfilled that one bit of a nickname, even in the twilight of his career where the ravages of time have become so apparent that he has had no choice but to tweak his entire style of engaging opponents.
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Very True =/
I always hoped that he’d go back to the grappling based style, but he’s at least trying to reinvent himself as a striker – and to be fair he’s looked pretty damn good in his last 2.
He always trained with Hoost before his fights but I very rarely saw him kick, turns out he’s really good at it XD
If he wants to be a sprawl and brawler now then good luck to him, but I think I’ll always remember him for his pre Nog III ground and pound days. If he worked with Randy I think Randy could make him one of the best again.
That would be interesting to see.
Randy’s style is Greco and he did a lot of upper body control, while Fedor’s was mostly Sambo and Judo, but prefering Sambo, which also relied a lot on upper body control and crazy girations to throw opponents’ off.
In fact, he did make use of them briefly during brief clinchin exchanges against Ishii where the latter would hold on to him and sorta start a giration where he then would sort of follow a little bit but then girate on an opposing direction but with a bit of an agle—it seemed to throw Ishii for a loop, there. It was cool seeing that again.
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my god, those punches by fedor.
fuck you, m-1 for shitting on his legacy.
by Rob Young on Jan 3, 2012 4:52 PM EST reply actions 1 recs
His legacy is set in stone, methinks. We have the internet, now, and it can't be buried by anyone.
People will get to see his fights, and it won’t really matter how his career winds up in the end.
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by Unabomberman on Jan 3, 2012 4:53 PM EST up reply actions 6 recs
Another great fanpost.
I recommend taking the time to watch the Hoost-Le Banner fight, especially the segment after 6 minutes. Hoost went to the right crosses → clinch repeatedly, to great effect. You notice Le Banner going from 80%-50% over the course of that minute.
Cheers again!
Yeah I was watching it back thinking “I swear there was more punch and clutch in this fight” then in that minute it all happens! XD
Great article.
I checked out your post on Mike Tyson’s right hook as well, good stuff. Keep up the good work.
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This is fantastic stuff.
Keep writing, please.
Share for share, share alike, you'll get struck each time I strike.
Excellent article
Never realised how this was a tactic to turn fighters with lighter hands to power punchers
Or how it could be used as an exciting fight style a la Fedor

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